Toque |
Brazilian toque |
Alternate Names:
Recordings
| time | orisha | canto | |
|---|---|---|---|
| Bata Ketu, Bata Ketu: A Musical Interplay of Cuba and Brazil - 3 | |||
| [1:39--1:56] | Osain | kuru kuru be té (Alt#74) | |
| [1:56--2:29] | Osain | tiwi tiwi (Alt#75) | |
| [2:29--3:12] | Osain | ? | |
| [3:12--3:46] | Osain | ? | |
| [3:46--4:04] | Osain | ? | |
| [4:04--4:42] | Osain | ? | |
| [4:42--5:07] | Osain | ? | |
| [5:07--6:26] | Osain | boro titi awa (Alt#79) | |
| [6:26--6:50] | Osain | ? | |
| [6:50--7:04] | Osain | ? | |
| [7:04--7:29] | Osain | ? | |
| [7:29--8:22] | Osain | ada dara ma da o (Alt#76) | |
| [8:22--8:50] | Osain | ewe ma si boro yu (Alt#77) | |
| [8:50--9:31] | Osain | ma mura mo fiñé (Alt#78) | |
| [9:31--9:55] | Osain | (seco) | |
| Bata Ketu, Bata Ketu: A Musical Interplay of Cuba and Brazil - 4 | |||
| [0:00--1:03] | Changó | (Rezo) | |
| Bata Ketu, Bata Ketu: A Musical Interplay of Cuba and Brazil - 7 | |||
| [5:04--5:36] | aso kere-kere me yé (Alt#28-ABC) | ||
| [5:45--6:19] | ogún meyi meyi (Alt#45) | ||
| [6:28--7:25] | ? | ||
| [7:33--8:08] | changó yamala ko ilé (Alt#153) | ||
| [8:18--8:51] | kurukuru (Alt#102) | ||
| [8:54--9:21] | oromi mama yokodá (Alt#222) | ||
| [9:32--10:20] | falala kun fá (Alt#193) | ||
| [10:28--11:01] | iré iré omá (Alt#268) | ||
| [11:09--11:54] | oromi só (Alt#257) | ||
| [12:22--12:36] | ? | ||
Transcriptions
Accompanying Cantos
Note that the following data is the same as the above, but reorganized differently.
- (Rezo)
- ?
- ada dara ma da o (Alt#76)
- aso kere-kere me yé (Alt#28-ABC)
- boro titi awa (Alt#79)
- changó yamala ko ilé (Alt#153)
- ewe ma si boro yu (Alt#77)
- falala kun fá (Alt#193)
- iré iré omá (Alt#268)
- kuru kuru be té (Alt#74)
- kurukuru (Alt#102)
- ma mura mo fiñé (Alt#78)
- ogún meyi meyi (Alt#45)
- oromi mama yokodá (Alt#222)
- oromi só (Alt#257)
- tiwi tiwi (Alt#75)
